The Only Filters I Carry

Back in the days of film photography, it was common to see photographers carrying a wide variety of filters in their camera bag. These days, I often find photographers who don’t carry any filters at all. And one of the most common questions I hear from photographers about photo gear is which filters they are supposed to buy.

In my mind, there are really only a couple of filters that most photographers should probably carry in their bag. Of course, whether this is true depends on the type of photography you do. But the list of filters that I don’t really think you need is much longer than the list of filters I should most photographers could put to use.

Solid Neutral Density Filter

The first filter I think most photographers would enjoy putting to use is a solid neutral density (ND) filter. This is something like sunglasses for your lens, reducing the amount of light that passes through the lens without altering the color of the scene.

A solid neutral density filter enables you to achieve longer exposure durations than would otherwise be possible. Even at a minimum ISO setting, and with the lens aperture stopped down completely, you might not be able to achieve a slow enough shutter speed to render blurred motion in the scene.

To really have tremendous flexibility for long exposures, I prefer to use a ten-stop neutral density filter. With such a filter, I’ve been able to capture 30-second exposures even in full sunlight.

I have been using a ten-stop filter from B+W, with excellent results. You can find this particular filter here:

B+W 10-Stop Neutral Density Filter:
https://amzn.to/2BtGJRy

Of course, in some cases a ten-stop neutral density filter results in an exposure that is longer than you’d like. In some cases you might simply be able to open up the lens aperture or increase the ISO setting in order to get an exposure of a shorter duration. However, you may want to also carry a neutral density filter with a lower density rating, such as a six-stop filter.

One option I’ve used with great success is the six-stop filter from Breakthrough Photography, which you can find here:

Breakthrough Photography 6-Stop Neutral Density Filter:
https://amzn.to/2OXpknO

Note, by the way, that for most photographers I don’t consider a graduated neutral density filter to be critical. In situations where I might otherwise use a graduated neutral density filter–such as to prevent a sky from getting blown out–I will instead capture a series of bracketed exposures. Later in my workflow I can then assemble those captures into a high dynamic range (HDR) image, using software such as Aurora HDR 2019.

Circular Polarizer Filter

In addition to a solid neutral density filter, I recommend that most photographers consider carrying a circular polarizer filter.

In my experience most photographers think of a circular polarizer as a filter for making a cloudy sky look more dramatic. In addition, a circular polarizer can help cut back on reflections, enhance color saturation in many situations, and even enable you to “magically” see through the surface of water.

A circular polarizer filter can be rotated to adjust the effect, from minimum to maximum polarization. I’ve been very happy with the results I’ve gotten with the circular polarizer filter from B+W, which you can find here:

B+W Circular Polarizer Filter:
https://amzn.to/2TEwLnB

 

Loupe for Sensor Cleaning

Carson SensorMag™ Loupe with LED Illumination.

In a few of my recent Ask Tim Grey eNewsletters I have addressed the subject of cleaning the sensor on a digital SLR camera. Part of that overall process involves evaluating the sensor (which really means evaluating the filter in front of the sensor) to see if there is any dust or other debris that needs to be cleaned.

One of the common approaches to checking for dust on a sensor is to capture a test photo of a blank wall or similar surface. However, in my experience it is far more effective (and I think easier) to simply get a close look directly at the sensor with the help of a loupe with a built-in illumination source.

I have been using the Carson SensorMag™, and have found it to be very helpful in evaluating whether the sensor on my camera needs cleaning. I use the SensorMag to check the condition of the sensor before cleaning, and again after cleaning to make sure I’ve done a thorough job.

The SensorMag provides a 4.5X magnification, along with strong LED illumination built-in. This loupe can be set on the lens mount of the camera body when the camera is set to manual sensor cleaning mode. In addition, the loupe can swivel out of the way so you can still make use of the LED illumination while cleaning the sensor.

You can find the Carson SensorMag here to get more information:

https://amzn.to/2LDw4cQ

And of course there are also a variety of other similar products from other manufacturers that provide the same features. The key is to make sure you have a loupe with good magnification and with a built-in LED illumination source.

(Note that as an Amazon Associate I may earn from qualifying purchases for some of the links included on this website.)

Seventeen Years of “Ask Tim Grey”!

It is hard to believe that it has been seventeen years since I clicked the “Send” button on the very first edition of the Ask Tim Grey eNewsletter (which at the time was called the Digital Darkroom Questions newsletter).

Since then, I’ve answered thousands of questions from photographers on a wide variety of subjects. And it doesn’t seem that I’ll be running out of questions to answer anytime soon!

To help celebrate this milestone, we’re offering two special discounts to my readers.

Lightroom Cleanup One-on-One

First, for those who have a bit of a mess they’d like to clean up in Lightroom, we are offering a discounted price on the “Lightroom Cleanup One-on-One” bundle, which features direct access to me so you can get answers to all of your Lightroom questions over the course of three months. And of course, to help you really master the use of Lightroom, this bundle also includes all of my video training courses on Lightroom Classic CC. You can get a 32% discount by using coupon code “seventeen” during checkout, or by getting started with this link:

https://www.greylearning.com/bundles/cleanup-one-on-one?coupon=seventeen

GreyLearning Ultimate Bundle

Or, if you’d like to get access to my entire library of educational content for photographers, new subscribers have the option of getting a discount on the “GreyLearning Ultimate Bundle” to celebrate the anniversary of the Ask Tim Grey eNewsletter. You can use coupon code “17ultimate” during checkout, or have the discount applied automatically by starting with this link:

https://www.greylearning.com/bundles/greylearning-bundle?coupon=17ultimate

A big “Thank You!” to all of the photographers who have been a part of the journey of the Ask Tim Grey eNewsletter. I look forward to getting started on my 18th year of publication!

Webinar Recording: “Managing Folders in Lightroom”

If you have a mess of folders, or you haven’t yet figured out a good strategy for using folders in your workflow for organizing your photos, you’ll want to check out my recent webinar on “Managing Folders in Lightroom”.

During this presentation I covered:

– One thing you should NEVER do with folders in the context of Lightroom.

– How to define your folder strategy for managing photos.

– Ways you can refine your folder structure within Lightroom.

– And MUCH more!

You can view the recording of the “Managing Folders in Lightroom” webinar on the Tim Grey TV channel on YouTube here:

https://youtu.be/vmcyYM8TmqY

 

New Course: “Behind the Photo”

Every photo provides the opportunity to learn valuable lessons, which is exactly the intent of the new “Behind the Photo” course.

This course provides a new lesson every week, based on one of my favorite photos. You’ll learned what went into create the photo,  as well as the many valuable lessons I learned along the way.

The new “Behind the Photo” course is included in the “Quick Tips Bundle” you can find here:

https://www.greylearning.com/bundles/quick-tips-bundle

In addition, “Behind the Photo” is available as a standalone course here:

https://www.greylearning.com/courses/behind-the-photo

New Course: “Photo Gear Quick Tips”

As photographers we obviously employ gear to create our photographs. To help you get a better sense of which gear might be most useful to you, and how to best put to use your existing gear, we have created the new “Photo Gear Quick Tips” course.

This course provides a new lesson every single week, focused on some aspect of gear for the photographer. I some lessons you’ll learn about a new piece of gear you’ve never heard of before. In other lessons you’ll get tips for getting the most out of common photo gear. And in all lessons, you’ll get insights and entertainment.

The “Photo Gear Quick Tips” course is included in the “Quick Tips Bundle” that you can find here:

https://www.greylearning.com/bundles/quick-tips-bundle

In addition, “Photo Gear Quick Tips” is available as a standalone course here:

https://www.greylearning.com/courses/photo-gear-quick-tips

New Features in Lightroom Classic CC 8.0

Today Adobe has announced the October 2018 release of Lightroom Classic CC (version 8.0). There are a handful of technology improvements in this update that many photographers will find helpful. The updates include:

Masking by Depth Map

It is now possible to refine a targeted adjustment in Lightroom based on distance ranges within the scene. The Range Mask feature for targeted adjustments has now been updated to include support for depth maps embedded in certain image formats.

At the moment this feature applies to HEIC photos. In other words, for now this is a feature for photos captured with the iPhone or other smartphones running the new Android Pio operating system. It is reasonable to expect, however, that other cameras will offer similar support in the future.

An HEIC capture can include an embedded depth map, which effectively maps out the distances from the lens for all areas of the scene being photographed. That depth information can then be used to refine the mask for a targeted adjustment, such as with the Gradient Filter, the Radial Filter, or the Adjustment Brush.

For photographers familiar with the Focus Area feature in Photoshop CC that enables you to create selections based on areas of a photo that are in focus, the concept of masking based on a depth map is somewhat similar. The key difference is that the Focus Area selection evaluates an image and attempts to determine which areas are in focus, while the new Depth Map feature in Lightroom actually uses depth information embedded in a supported photo.

With this feature you can apply adjustments to areas of a photo based on a range of distances. This can be incredibly helpful for applying adjustments only to foreground areas versus background areas of a photo, for example.

Merge HDR Panoramas in One Step

For more than three years (since April 2015) Lightroom has supported the ability to merge multiple captures into an HDR (high dynamic range) image, or to a composite panorama. With the new October 2018 release of Lightroom Classic, you can now merge captures into an HDR panorama with a single process.

Previously, to create an HDR panorama in Lightroom, two steps would be required. You would first need to assemble all of the bracketed exposures into individual HDR image, and then assemble the HDR images into a composite panorama.  With the new update, you can simply select all of the captures that represent bracketed frames of the full panorama, and then merge all of the images into an HDR panorama with a single process.

Improved Tethering for Canon Cameras

While there aren’t any new features for tethered capture in the October 2018 update to Lightroom Classic CC, there have been improvements to tethered capture with Canon cameras. With tethered capture you are able to connect your camera to a computer running Lightroom Classic CC, control the captures within Lightroom, and have the tethered captures added automatically to your Lightroom catalog.

The improvements for tethered capture primarily relate to greater stability and faster performance when using Canon cameras for tethered capture. In addition, support has been added for a couple of additional Canon camera models (the Rebel T7 and the M50).

New Process Version

The October 2018 release of Lightroom Classic CC includes new Process Version 5. While a new process version has typically involved the addition of significant new features in the Develop module, with this release the updates are a bit more modest.

Noise reduction has been improved to help reduce the appearance of a purple color cast in photos captured at high ISO settings. In addition, the Dehaze adjustment has been improved to help reduce noise when you use a negative value for Dehaze.

HEVC Video Support

The HEVC video format is essentially the video version of the HEIC (or HEIF) capture formats for still images. With the October 2018 release, Lightroom Classic CC now supports HEVC video captures, so you can import videos created in this format. At the moment, this update primarily relates to videos captured with an iPhone using the latest operating system update.

Updated Camera and Lens Support

As with perhaps every other update to Lightroom, the October 2018 release also adds support for additional cameras and lenses. This translates to support for additional proprietary raw capture formats, as well as automatic Lens Corrections adjustments for photos captured with newer lenses.

New lenses supported in the October 2018 release are:

  • Canon EF 70-200mm f/4L IS II USM
  • Canon RF 24-105mm F4 L IS USM
  • TAMRON 17-35mm F2.8-4 Di OSD A037E
  • Venus Optics Laowa 15mm F2 Zero-D

New cameras supported in the October 2018 release are:

  • Canon EOS R
  • Fujifilm X-T3
  • Nikon COOLPIX P1000
  • Nikon Z 7
  • Panasonic LUMIX DC-LX100 II

Contest Winner: “Abstract”

Photographer Frank Waters has been selected as the winner of the September 2018 GreyLearning Photo Contest with his closeup image of a flamingo. The theme for this photo contest was “Abstract”, inviting photographers to submit their best photo where it is not immediately obvious to the viewer what the subject is.

Flamingo Detail by Frank Waters

Frank had this to say about the photo:

<<

This photo was shot at the San Diego Zoo. It was taken with a Canon T6i  equipped with a Canon EF 28-135mm lens. My settings were pretty simple:  f/16, 1/200th of a second at ISO 200, with automatic white balance and manual exposure settings. The lens was fully extended, at 135mm, as the birds were pretty far from the closest place I could stand. I also used a tripod, because of the extension of the lens.

When I imported the photos into Lightroom, at first I was not terribly thrilled. They just looked like simple photos taken at the zoo. But upon closer examination, I liked the quality of the feathers, and I thought I might be able to make a decent composition with a pretty severe crop. There was not a whole lot of processing in Photoshop. I added a Levels adjustment layer and a Hue/Saturation layer. I brought out the highlights in Levels, and brought out the yellow a bit, while decreasing the luminance of yellow at the same time.  

>>

As the winning photographer Frank will receive a Tamron 18-400mm lens valued at US$649, thanks to a sponsorship from Tamron USA.

Congratulations to Frank on a beautiful winning image! You can view more of his photography on the following pages:

https://yourshot.nationalgeographic.com/profile/1396981/

https://500px.com/alfalfa19

https://www.instagram.com/frankwatersv/

New Course: “Learning the Nik Collection by DxO”

With an update to the Nik Collection now having been released by DxO Software, we have published a new comprehensive course to help photographers make the most of all of the applications included in the Nik Collection.

The new course includes more than three hours of video lessons, covering all seven applications in the Nik Collection. In addition, a “Getting Started” chapter includes lessons to help you better understand the overall workflow involved with using the Nik Collection applications.

You can get more details about this new course on the GreyLearning website here:

https://www.greylearning.com/courses/nik

“Charm of Austria” Photo Workshop

I will once again be leading a photography workshop in Austria, this time focused on the “Charm of Austria” in Salzburg and the nearby Alps.

During the workshop we’ll explore small towns, rugged landscapes, mountain peaks, Alpine lakes, and more. You’ll capture great photographs and create cherished memories along the way. With a small group of just four photographers, you’ll get individual attention as we spend five full days exploring beautiful locations in Austria and Germany.

For all of the details about my “Charm of Austria” photo workshop, please visit my website here:

http://www.timgreyphoto.com/austria-2019